Summer Reading Challenge themed top 10 books

Hello Everyone, Carlos here. With the Summer Reading Challenge theme being Space Chase, I have decided to look at the interstellar and cosmic books at the library.

 

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10. Star Wars character encyclopedia by Simon Beecroft- Now with an updated edition including characters from the new movies, the star wars character encyclopedia is perfect for those who want to find out more about their favourite space adventure franchise. From Anakin Skywalker to Zuckuss and everyone in between, you’ll learn more about the heroes and villains of the saga with this wonderful volume. See also Star Wars the last Jedi: the visual dictionary, Star Wars: the complete visual dictionary and Star Wars alien archive for more fun facts about a galaxy far far away.

 

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9. The alien hunter’s handbook: how to look for extra-terrestrial life by Mark Brake- is there other life in the universe? What might it be like? How could we communicate with them? How will we find where they live? Discussing the history of life on earth and what we currently know about outer space, The Alien Hunter’s Handbook is a fun, engaging and in-depth guide to what aliens might be like.

 

 

 

 

 

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8. How did robots land on Mars? By Clara MacCarald- We know a lot about the planet Mars through the robotic probes NASA sends to the planet. But how were they made in the first place, and how do the scientists at NASA control these machines? Find out in this book all about the engineering that went into making this incredible feat possible. See also STEM in our world: Space technology for more information about the gadgets and machines that allow us to find out about space.

 

 

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7. iHero Alien raid by Steve Barlow and Steve Skidmore- In this gamebook, you must save Planet Earth from Alien Invasion. Make the right decisions and you will save the earth, but if you make the wrong choice you’ll have to try again! Fun for anyone who’s dreamed of being a hero in a sci-fi film of their own. Check out iHero Monster Hunter Alien, I hero Tyranno quest and I hero Toons Invasion of the botty snatchers for more interactive intergalactic adventures.

 

 

 

 

6.png6. Astrosaurs vs Cows in Action: The dinosaur moo-tants by Steve Cole and illustrated by Woody Fox- A crossover between two of Steve Cole’s comedic adventure series, the planet-hopping Astrosaurs books and the time-travelling Cows in Action novels. The Fed-up Bull Institute and the League of Galactic Carnivores create strange Cow-Dinosaur to conquer the universe. Can Space Captain Teggs the stegosaurus, communications officer Gipsy the Corythosaurus, first officer Arx the Triceratops, chief engineer Iggy the Iguanodon, scientist Professor McMoo the bull, sidekick Pat Vine the calf and fighter Bo Vine the heifer save the day? Also look out for other Astrosaurs and Cows in Action adventures, like The mind-swap menace and The ter-moo-nators, some of which are also available as audiobooks.

 

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5. The first men in the moon by H.G. Wells. 68 years before humans actually set foot on the moon, H.G. Wells wrote this thrilling and highly influential interplanetary adventure. A London businessman named Bedford and a physicist from Lympne, Mr. Cavor, discover a mysterious substance called Cavorite which allows them to defy gravity. They travel to the moon and discover a strange civilisation of insect-like creatures called Selenites.

 

 

 

 

 

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4. DK pocket eyewitness Space: facts at your fingertips – With over 170 profiles on planets, stars, meteorites and moons, this ‘Pocket Eyewitness’ book will make you a space expert in no time. Find out about Jupiter’s red spot, the martian mountain Olympus Mons, craters on the moon, the scale of the Universe, how telescopes work, the life cycles of stars and much more. Check out DK illustrated encyclopedia of the universe, DK find out! Space travel and DK find out! Universe for more fascinating facts about outer space.

 

 

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3. I took the moon for a walk by Carolyn Curtis and illustrated by Alison Jay. A charming, wonderful picture book with a few bilingual editions available. A young boy wanders through the night whilst bringing the moon along with him as he walks. Set in lyrical rhyme and using language that will boost reader confidence, I took the moon for a walk is a charming book regardless of your age.

 

 

 

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2. The Phoenix colossal comics collection Volume 1 by Various authors and illustrators. A selection of comic strips from the weekly Phoenix magazine, including the space adventure strip Troy Trailblazer. Troy and his allies discover a race of part-machine part-biological beings called the BioTeks. The Bioteks plan to wage war on the Galactic military, for imprisoning their computer leader the God-Brain. Can Troy and his friends save the universe? The other strips included are also highly enjoyable.

 

 

 

1.png1. Neil Armstrong and travelling to the moon by Ben Hubbard. With the 50th Anniversary of the moon landing this year, I thought the number one had to be a book about the moon landing. This amazing non-fiction book includes information about Neil Armstrong’s life, his first trip aboard an American Spacecraft, the development of Space Travel and the training astronauts undergo. See also Yuri Gagarin and the race to space for more information about the history of space travel.

 

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Brighton Library Music Club talks 2019

Our latest music talk, Pink Floyd Brighton ’72, is now available to listen to on Mixcloud https://www.mixcloud.com/BHLibraries/julia-pink-floyd-roadie-in-conversation-with-francis-brighton-library-staff/

Hear the full interview with Julia Trangmar, who worked all of the Brighton 1972 shows (The first “Eclipse” Dark side of the Moon show).  Julia has many fascinating insights on her time with Pink Floyd.  Interestingly, she praises Easy Star All Stars reggae version of Dark Side of the Moon as “really impressive” and a “fresh look at it”.  Big thanks must go to Stuart Avis (Servants of Science band) & Julia Trangmar of course, for the talk.  Please see Brighton & Hove City Libraries social media for information on future talks.

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The Brighton Dome, venue of those legendary concerts.

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Hollingdean – Library Access Point Launch

On Thursday 1st August several members of library staff (and Spider-Man) headed over to Hollingdean Community Centre to launch the all new Library Access Point.

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Situated in one corner of the hall, this space is available for the community to use from 10am – 2pm on Thursdays, when the Junk Food Project also provide a delicious pay as you feel lunch.  The library is self-service and available resources include books for adults and children to borrow, a free to use PC with internet connectivity and Wi-Fi for those bringing their own devices.

During the event we had the opportunity to speak to members of the Hollingdean community – from seniors browsing local history texts and young multi-lingual families looking for dual language picture books, to teens wanting support to learn to drive.

Gemma and India were on hand to promote the vast array of free e-resources available to those with library cards – there are too many to list here but highlights include e-magazines, e-comics and e-books.

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Hollingdean’s Favourite 3 Resources:

Theory Test Pro – a realistic online simulation of the UK’s driving theory test

BorrowBox – e-books and e-audiobooks

Britannica – a comprehensive online encyclopaedia

To see our full list of free resources visit https://www.brighton-hove.gov.uk/content/leisure-and-libraries/libraries/free-access-subscription-websites

Matt from Free University Brighton (FUB) joined us to promote their Freegree courses, another fantastic resource available free to anyone looking to further develop their education. If you think this might include you, pop over to http://freeuniversitybrighton.org/ or follow them on Twitter @FreeUniBrighton.

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For younger customers, our colleague Jo also hosted a free Party Bag Making Session with cake decorating and arts and crafts. With 13 children and 5 adults getting involved Jo’s session was a big hit and two dedicated young readers even managed to start and finish the Summer Reading Challenge to win their medals!

We would like to say a big thank you to Ceza and Shirley for their behind the scenes support of the event and for all their assistance on the day. It was a pleasure working with you!

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Larry Levan’s Paradise Garage – 80’s New York Punk, Funk & Reggae

Once a month at Jubilee Library, there’s a free music talk – everyone is welcome!
In Febuary, Francis gave a talk about the infamous Larry Levan and in case you missed it, he’s kindly given us the transcipt!

Larry Levan & the Paradise Garage

Larry Levan & Grace Jones

Why I admire Larry Levan and what he achieved…

Born Lawrence Philpot in 1954….maybe wisely changed his surname, he started out playing records in the early 70’s with another legend, Frankie Knuckles at The Gallery and then Soho Place (not the trendy new one).

He was the main DJ at the Paradise Garage in New York from 1977 to 1987 when it closed and the people who went there loved him. This was the civil and gay rights era and the Stonewall Inn protest in New York was only back in 1969, just a few years before Larry started as a DJ.

This was when customers at the gay pub had had enough of Police harassment and stood up to them, their bravery became a historic moment in gay rights. Larry was black and gay, this makes his success all the more impressive for the times he lived in

He was very open minded in the music he played, especially being interested in the synthy and experimental new European music of the early 80’s, Kraftwerk being one of these bands, their records were also popular with the Bronx hip hop scene. (Whitfield Records, home of disco-funker’s Rose Royce, assisted in the production on the Man Machine album, which includes with Model.)

As the 80’s got going he experimented more with spacey and dub effects, in his remixes and his own two bands.

He died at just 38 in 1992, after a very successful DJ tour of Japan with the DJ, mixer and great friend Francis Kervorkian. Drugs had alas become more a part of his life and caused problems, sometimes his friends would buy his records back from market stalls, which he’d sold for his habit. One of his friends remarked that Larry was an intelligent and smart guy and it was a choice he made, but a real shame.

Returning to the positive, he played, mixed and made his own great records. We’ll look at the records after taking a look at the Paradise Garage itself.

The Paradise Garage, sadly knocked down for flats in 2018

Paradise Garage & New York club scene

84 King street in New York was set up by legendary West End Records Mel Cheren’s boyfriend Michael Brody. The idea was originally for a downtown Studio 54 styled very fashionable club. However on the snow bound opening night, the sound system got stuck at the airport and the trendy crowd left after freezing as they queued for ages in the snow.

This actually did the club a favour, as instead it developed into a much earthier and underground place, far removed from Studio 54 where you went to be seen. The Paradise Garage however was where you went to hear great music with a friendly and accepting atmosphere.

It had a very mixed crowd, black, latino, gay, straight men and women, though more men when it started. Initially one of the women said she had to go in disguise as a man as it as more male orientated, when Mel Cheren found out he went out of his way to make sure women were welcome too. It opened in 1977, only 8 years after the Stonewall protests of 1969 and it was membership only, this meant that the Saturday night booze hounds and brawlers were not there and it was a safe place to be.

There are many pictures of Larry happily standing by the incredibly powerful state of the art sound system he had put in or behind the three record decks with room enough for a party behind them, which there often was!

Other NYC clubs

There were other very exciting and cutting edge clubs in New York at the same time and the Paradise Garage didn’t exist in a complete bubble, though as the 80’s went on it did maintain a kinder friendlier atmosphere. I’ve listed a few of these other great clubs and it’s very interesting checking out the DJ playlists for them. They all have a slightly different take on what they played but generally it was very eclectic, no club just playing say just disco or rock.

The Loft

Larry was heavily influenced by David Mancuso, the bearded chap who created and ran The Loft. People literally partied in his own loft. It was guests only, long mixes of deep disco, funk often with a spacey nature. Tracks such as War’s psychedelic soul-funk “City, Country, City” and Dexter Wansel’s very trippy disco song “Life on Mars” were favourites.

David Mancuso

The Roxy

In 1982 Kool Lady Blue ran the “ All races dance club”, featuring punk and early hip hop club, gay night with lots of DJ’s. Live there was Madonna, Beastie Boys, Kurtis Blow and Kraftwerk.

Ruza Blue AKA Kool Lady Blue

Danceteria

The club scene from Desperately Seeking Susan was filmed here. Featuring DJ Mark Kamins who got Madonna signed and produced her first single “Everybody”. A hangout also of Duran Duran, the B52’s , New Order, Jesus & Mary Chain, Sonic Youth. Alternative rock, rap and disco was the sound.

Mark Kamins with someone we all know!

Radio support

Frankie Crocker of WBLS was often in the DJ booth with Larry.

Frankie Crocker

He would check out the records Larry was playing, see which ones went down well with the dancers and then make haste to a record shop and play them on his radio show. This really helped make what were often very underground records become club hits and sometimes chart hits. It also helped promote both Larry and the Paradise Garage as a place to fins cutting edge music.

Great NYC disco/boogie labels

Queen Yahna – Aint it Time 1976, P&P Records

Prelude Records

Sam records

P&P

West End

Salsoul

Becket –(see below Denroy Morgan)

Some Great Records he played

Sinammon – Thanks to You

Eddy Grant – Walking on Sunshine

Grace Jones – Nipple to the bottle

Lace – Can’t play Around

Central Line – Walking on Sunshine

Central Line

Later garage record labels (with disco-boogie sound still)

Easy Street

Jump Street

Supertronics records

Lola – Wax the Van (Lola Blank, Arthur Russell)

Euro electro and rock on the Playlist

Kraftwerk – The Robots

Manuel Gottsching – E2-E4 (Ashra Tempel)

Ian Dury – Spasticus Autisticus

Marianne Faithfull – Broken English

Modern Romance – Salsa Rhapsody (Dub Discomix)

The Police – Voices inside my Head

Cat Stevens – Was Dog A Doughnut

Cat Stevens

Ian Dury – Spasticus Autisticus

The Clash – Magnificent Dance 

(This track had Norman Roy-Watt from The Blockheads on bass and was used by Larry to tune the sound system in the club)

Joe Strummer said “When we came to the U.S, Mick stumbled on a music shop in Brooklyn that carried the music of Grandmaster Flash & the Furious Five, The Sugarhill Gang…these groups were radically changing music and they changed everything for us.”

The Clash

Selected Remixes

Influence of dub when mixing Island records

Gwen Guthrie – Padlock EP 1983 (Garage Records)

Class Action – Weekend 1983 (Sleeping Bag) – Arthur Russell Connection

Ednah Holt – Serious Sirius Space Party 1981 (West End Records)

Ednah Holt

Loose Joints – Is it all over my Face 1980 (West End Records)

Gwen Guthrie – It should have been you. – Sly & Robbie

Class action – Weekend – Leroy Burgess

Frontline Orchestra – Don’t turn your back on me (Eddy Grant again – legend!)

The Funk Masters – Love Money

Larry’s bands

Larry had two bands and I’ve just named a few selected tracks, there are other very good EP’s and also unreleased tracks that have come out for the first time. Man Friday’s “It’s in the Rythmn” and Peech Boy’s “Stay with Me” are amazing songs that for whatever reasons never made it to vinyl in the 80’s, though with the latter just go for Tom Moulton or Larry’s own mixes. The Peech Boys also included the fantastic Bernard Fowler.

NYC Peech Boys – Don’t Make Me Wait 1982 (West End Records)  

On a Journey 1983 (Island Records)

Man Friday – Love Honey, Love Heartache 1986 (Vinylmania)

Peech Boys

End of the Paradise Garage in 1987 and feedback from fans

Sherri Eisenpress; “It was the only place around where no matter who you were, people came together in the shared spirit of love and music that, when you heard it, you had no choice but to get up and dance”,

Anonymous; “Not a day passes when I don’t think about the man or listen to one of his totally unique trippy and dub inspired mixes”.

Dave Piccioni, owner of London’s Black Market Records lived in New York in the late 80’s, he said it was ; “New York, cut throat money time. Everybody was sticking knives in each others backs. It was dog eat dog. Aggressive. Dealing, sixty thousand people living on the street. And then you’d go to this little oasis, where people were really well-mannered and friendly to each other. You just felt totally comfortable. People who shared something, and that was an open mind”.

Last night at the Paradise Garage

I hope you’ve enjoyed this journey into the life of Larry Levan and the Paradise Garage. I’ve only mentioned a tiny bit of the amazing music he was involved with, there are loads to discover on-line and of course on the great CD’s in the library. We’ve got a lot of rare underground disco-funk from the late 80’s early 80’s and funky rock cross-over bands such as The Clash and talking Heads.

Thanks for the music Larry!

Francis Field

Larry on the Decks

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Refugee Week

Next week is Refugee week and there’s a full week of events happening at Jubilee library, from talks and workshops to children’s crafts and exhibitions!
Here’s the programme of events:

Find out more about refugee week events across the city here, including more information about refugee Week and Sanctuary on Sea:

https://www.brighton-hove.gov.uk/content/leisure-and-libraries/events-and-filming/refugee-week-brighton-hove

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Did you see us?

Once a month at Jubilee Library, there’s a free music talk – and the Hanover Directory was kind enough to print a piece on the talks & what’s coming up!

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Make Music Day – only 4 weeks to go!

Make Music Day logo

21st June 2019 10am – 5pm at Jubilee & Hove libraries


Make Music Day is the world’s largest annual music festival with FREE events in more than 800 cities across 120 countries. As part of the celebrations, both Jubilee & Hove Libraries will be hosting a day of community music events including performers of all ages and abilities. There will be performances, workshops, taster sessions and music talks for you to enjoy and participate in!


JUBILEE LIBRARY PROGRAMME

10:00-11:15 SINGING WORKSHOP
with Aneesa Chaudhry and Martlets choir (conference room 3) Join Aneesa and members of the Martlets ‘Good Vibrations’ community choir to learn some songs that you will then perform at 11:30!

10:15-10:45 BABY BOOGIE
drop-in music session for pre-school children and parents, with Ian (children’s area)

11:00-11:30 UKULELE FOR BEGINNERS
with Ian (community space) An introduction to this fun and easy-to-learn instrument. You will be playing songs by the end of the session! Ukuleles provided.

11:30-12:00 MARTLETS ‘GOOD VIBRATIONS’ CHOIR
with children of Queen’s Park Primary School (main hall)

12:00-12:15 GIULIA PEDRANA
singer-songwriter (community space)

12:15-12:45 NEW NOTE STRUMMERS
guitar group (main hall) New Note Strummers is a guitar group, open to anyone who is in recovery from addiction. We cover well known songs and also encourage players to compose their own music. The group is very supportive and open to all abilities. If you would like to join the Strummers for a jam at the end of their slot, bring your guitar along on the day!

12:45-1:00 LAUREN ALEX HOOPER
singer-songwriter (community space)

1:00-1:30 SILVER STRINGS
(main hall) A performance by Brighton & Hove’s very own late-starter string band, featuring cello, viola and violin, led by Bela Emerson. Most players were complete beginners to music-making before they came to their first session. The band plays a mixture of popular music, folk, and classical themes as well as some original material.

1:30-1:45 BUCKINGHAM PARK PRIMARY SCHOOL UKULELE CLUB
(community space)  Children aged between 8 and 11 who have been attending a weekly ukulele club perform numbers and invite you to sing with them.

1:45-2:15 JAMPOTS
singing group. Led by Andy Miller, the Jampots is made up of residents and friends of Lavender House Senior Housing Scheme. Together they perform songs from the 1850s to the 1980s!

2:30-3:00 FRETFUL FEDERATION
mandolin orchestra (main hall) This award-winning community music group are based in Brighton and formed of players from all over Sussex and beyond. As an ever-expanding orchestra we welcome new members, from novice to expert, and can even supply instruments. Rehearsals are at St George’s Church every Tuesday from 7.30p – 9.30pm. Why not pop in and meet us!

3:00-3:30 TIGHT SQUEEZE CEILIDH BAND
(community space) Tight Squeeze are a Brighton based ceilidh and barn dance band. Lively jigs, reels and polkas from these islands and beyond, played on fiddle, banjo and squeeze boxes.

3:30-4:00 SILVER SOUNDS SAMBA (main hall)
Silver Sounds is a community-based band for people aged 50+ which sets out to challenge the stereotype and celebrate what older people can do. The band meets weekly and performs at many community and charity events. http://www.silversounds.org

4:00-4:50 JUBILEE MUSIC CLUB TALK: BRIGHTON PUNK SPECIAL
with members of The Piranhas, Peter & The Test Tube Babies and Fish Bros (conference room 3)

4:10-4:45 JAM TARTS CHOIR
(main hall) Brighton’s Jam Tarts are an indie choral collective who perform unique and shimmering arrangements of indie, post-punk, electro, Britpop and artrock classics, from Nick Cave and Tom Waits to Arcade Fire, Ezra Furman and The Stone Roses. Think choirs aren’t your cup of tea? You’ve never heard your favourite songs quite like this before…Joined by a piano, cello, percussion and 2 trumpets, the library will be anything but quiet!

4:45-50 FINALE
performance of ‘Bring Me Sunshine’. Join us for a mass rendition of this joyful classic with your voice or even an instrument! Instrument notation/chords can be found at https://makemusicday.co.uk/mmd-song/


HOVE LIBRARY PROGRAMME

10:30-11:30 HOWL singing group
drop-in workshop (children’s library). Howl is an informal, daytime, drop in choir for adults. Pre-school little howlers very welcome too. We run Friday mornings in Hove. More information on our website www.howl.org.uk 

11:45-12:05 CHARLOTTE OLIVER
singer-songwriter (community space)

12:15-12:35 DARREN SAUNDERS
singer-songwriter (community space)

12:45-1:05 DAVID CAMILLI
singer-songwriter (community space)

1:45-2:15 SIMON TILBURY
sing-a-long. Come and join in! (community space)

2:30-2:50 SOFIA EDEVANE
singer-songwriter (community space)

3:00-4:00 BRIGHTON & HOVE CLASSICAL GUITAR GROUP
(community space). Brighton & Hove Classical Guitar Group play arrangements of music from the Renaissance, Baroque, Classical & Romantic periods as well as music written in the 20th & 21st century. New players are always welcome to join us.  There will be an opportunity for guitarists with some experience to join the group for a taster workshop at the end of the performance. Bring your guitar along if you are interested.

4:00-4:30 COASTLINE HARMONY
(community space). Coastline Harmony is a friendly, award-winning all-female voice group of around 30 members who share a love of a cappella singing and enjoy performing a wide range of music: rock and pop, ballads, folk and songs from shows.

4:30-40 FINALE
performance of ‘Bring Me Sunshine’. Join us for a mass rendition of this joyful classic with your voice or even an instrument! Instrument notation/chords can be found at https://makemusicday.co.uk/mmd-song/

 

Make Music Day logo partners

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80’s Dub Disco, New York to the World!

Once a month at Jubilee Library, there’s a free music talk – everyone is welcome! Francis, one of the members of library staff who runs the music club, gave April’s talk and in case you missed it:

80’s Dub Disco, New York to the World!

Introduction

steve 1Steve Miller rocking out in the 70’s

Steve miller band – macho city

As a fan of funk, disco, reggae, punk and psychedelic rock this is genre of music that takes in influences of all of these and also affected all of them too.

Late 60’s, 70’s, early 80’s were all particular times when people experimented a lot with music and took influences from a wide range of places.

Also it seems record companies let them do it as I suspect they didn’t quite understand this unusual new music but as people were buying it, didn’t mess with the people making it. As the decades progressed record labels regrouped and restricted the freedoms of these bands. Could you imagine Thirteenth Floor Elevators putting out a psych album in 1975 or The Specials “Ghost Town” coming out in 1985?

60’s and 70’s soul funk was more influenced by psychedelic rock whereas dub disco was from dub reggae, though I’m sure there were people the late 70’s/early 80’s music scene that were involved in psychedelic rock, for example both Stewart Copeland and Andy Summers from The Police had been in psychedelic rock bands, Frolk Haven and Dantalian’s Chariot. The Police released a classic dub disco epic “Voices inside my head” in 1980.

Psychedelic soul, prog & fusion rock – the first wave

In Don Lett’s “Tales of Doctor Funkenstein” documentary George Clinton, the founder and inspiration between Funkadelic and Parliament said that in the 60’s black people listened to rock music and the album that really affected and influenced him was The Beatles Sgt Pepper. It is noticeable after 1967 how trippy sounds drifted across the soul world, especially to Motown.

One of my favourite and I think most talented song writers and producers ever was Norman Whitfield, he’d go to Funkadelic gigs and get his house band the Funk brothers to play a version of what he heard on his groups, especially The Temptations, Undisputed Truth and white funky crossover band the Rare Earth. His lyrics were more outspoken politically than Marvin Gay’s “What’s going on” and the sound of the last two bands really trippy and heavy on the fuzz and wah wah guitars, something I love!

Bands such as Gong on their epic 1974 “You” album brought jazz-funk and space rock together, Canterbury’s Caravan on 1972’s “Waterloo Lily” combined some very spacy fuzz keyboards with funky rhythms and also German bands Agitation Free had moments of spacey psych rock on their albums released between 1972 and 1976. Not forgetting the legends of this area Can, their 1978 track Aspectacle is my favourite example.

I’ve chosen to play more of a psychedelic soul than funk track called “Fantasy is Reality” by Parliament and recorded in 1970 but never released. Not sure why it wasn’t released as it is brilliant!

parliament 2.jpgParliament in psychedelic times

Fantasy is Reality – Parliament 1970

Aspectacle – Can 1978

 

Dub Disco

There was a run of spacey disco records around 1977 following the mega success of Star Wars , Meco did an album of Star Wars music and Space released “Magic Fly” these had a spacey and trippy edge but were also a tad cheesy too. Kool & the Gang released the much better “The Force”in 1978 and Instant Funk had “Dark Vader”in 1979, again a quality track.

Also to remember is some pretty groovy reggae tracks came out which whilst not being dubby, did add the disco element, Bob Marley’s “Could you be loved” is a great example.

An amazing record that came out in 1976 is often talked about as one of the first dub disco records, it the aptly titled Disco Dub Band’s cover of “For the Love of Money”.

It was the inspiration of music exec and songwriter Davitt Sigerson, who made two records in the 80’s on legendary left field New York Ze Records. Recorded in the basement of Beanstalk Music in Camden and by legendary funky reggae artist Mike Dorane. Also check out his tracks Penguin Funk and The Ghetto.

This record really sets the sound and was very influential, being re-released in 1979, 1981 and 2018.

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Davitt Sigerson looking smooth in the 80’s
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Mike Dorane & Carol Williams, funky reggae

Though the 70’s music came out that would fit the dub disco description, but it is mainly in the early 80’s that the majority of music that fits into this style can be found.

Again the big difference to me is that the early 70’s dance music was more influenced by psychedelic rock and the late 70’s/early 80’s by dub reggae.

The next track I’m going to play came out in 1976 but really set the scene for the sound of dub disco.

Dub Disco Band – For the Love of Money 1976

There were many mixmasters responsible for great dub disco mixes across disco, rock and funk especially, to me three stand out as real leaders, Francois Kervorkian, Larry Levan and Paul Simpson.

We’ll also need to mention David Mancuso who had a club in his own loft apartment aptly called “The Loft”, he influenced a lot of these guys in that he played long trippy and often less commercial and more serious records such as Dexter Wansell “Life on Mars” and War’s “City Country City”.

Another very influential record, or I would say probably “the record” was Funk Masters “Love Money”.

Recorded by South Londoner Tony Williams, a 70’s soul and funk DJ and reggae presenter on BBC Radio London in the 70’s and 80’s. He didn’t release a lot of records but what he did were a brilliant mix of dub reggae, disco-funk and early rap. “Love Money”

Funk Masters – Love Money 1981 remix

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Tony Williams, Mr Funk Master himself!

The record was very influential on the New York disco scene and especially to the king of disco dub mixes Francois Kervorkian. He said of it;

“I hadn’t been exposed to King Tubby’s early stuff at the time. But when I heard a dance music thing with all those big reverbs, those stops, those crazy effects where a piano comes in, cuts off and decays. To me, that was a revelation. “Oh, you can do that?” I immediately I started searching out those sounds. I started searching out records that had that in it. Then I started going in the studio and playing with tape delays and all kinds of crazy regeneration effects.”

Originally released in 1980, a few copies made it to Vinylmania record store, very near to the Paradise Garage where Larry Levan deejayed. It was 1981’s heavy dub mix on Champagne records that really took off.

The man himself said “I’ve always been involved in music in some way or another. I never thought I was going to be a producer. I never thought I was going to make a record. And what your telling me is that the first record I made in my life is a phenomenal, legendary record.”

As we heard from Francois K earlier he got into the spacey sounds from the dub reggae he was hearing and really applied the sounds to a lot of his mixes on New York’s Prelude Records. D Train being a band he did a lot of great work for, my favourite track is Michael Wilson “Groove it to your body”, where there is a very funky and trippy B Side instrumental.

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Francois Kervorkian

Michael Wilson – Groove it to your body

Francois K said Larry Levan got into the world of dance and dub a bit later when he started mixing dance tracks for Gwen Guthrie and Grace Jones. These had funk reggae legends Sly and Robbie as the rhythm section. The song “Seventh Heaven” is from a special remix album of Gwen’s that Larry mixed in 1983.

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Gwen Guthrie – Seventh Heaven

Paul Simpson put out some great tracks under different act names in the 80’s, Paul Simpson Connection, Serious Intention, Pushe, Subject and Paradise Girls. He really went in for the dub mixes and brought more synth sounds in though keeping a definite foot in early 80’s boogie disco.

For vinyl fans, check out the B Sides and instrumentals.

 

Subject – The magic the Moment

Noel Williams was a Miami based producer and musician, coming from a reggae background ne co-wrote “Buffalo Soldier” with Bob Marley & the Wailers. He released records under his own name of King Sporty and his music moved from reggae, to funk and then to disco. He’s responsible for a lot of good music released on via his Konduko and Tambasha labels, Connie Case “Get on Down” being a classic, the other legendary release and dub disco classic is The Ex Tra’s “Haven’t been funked enough”.

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Paul Simpson in the early 80’s

This was a very influential record and I think especially popular in the underground New York clubs and also with Manchester DJ legend Greg Wilson. Check out his memories on-line at Electrofunk roots, there are so many great tracks listed and many of them fit in the dub disco manor.

The Ex Tra’s “Haven’t been funked enough

There are many other examples of dub disco, Atmosfear “Dancing in Outer Space” and Patrick Cowleys pre Sylvester work among them.

Reggae bands who had so inspired the scene also got into the spacey disco funk sounds themselves, Monkaya “Go Deh Yaka”, Chalice “Funky Kind of Reggae” and UB40’s excellent B sides “Mek Ya Rock” and “Nkomo A Gogo” are brilliant examples.

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Noel Williams, Miami’s funkiest chap

Dub rock

As in the late 60’s/early 70’s the late 70’s and early 80’s was a time of real music openness for bands to take in wide musical influences and make more exciting music because of it. A friend Stewart who had the Jesus and Mary Chain as his neighbours in East Kilbride and played in a band at the time said, “the record labels were following the bands as the 80’s went on they took control”.

This allowed for some great unusual bands that mixed indie rock, dub and funk, The Clash, Raw Sex (feat Neneh Cherry), Pigbag, Generation X, The Slits, 23 Skidoo, A Certain Ratio and maybe surprisingly Modern Romance.

In America, Chris Stein and friends from Blondie made provided a very dubby and funky backing for New York’s rappers in the 1983 movie Wildstyle soundtrack. There is an excellent release as the early rappers are awesome, there is also a release just with the music too.

Bands such as ESG a Bronx punk funk band with sometimes spacey leanings released “Moody” and “Ufo”, Mark Kamin’s who helped introduce Madonna to the world did very spaced out mixes on Affinity’s “Don’t go away” and UK funksters, Quando Quando “Love Tempo”.

I used to think of Modern Romance as a more poppy, blond with highlights version of Duran Duran. On hearing their first album and their incredible Salsa Rappsody mix of Everybody Salsa I definitely changed my opinion. This track was on the B side and was widely played on the New York club scene.

Modern Romance – Salsa rappsody (dub discomix)

The last band from the alternative rock scene to really take to this sound was The Clash, they were a band that really experimented with many styles of music, punk, funk, reggae and even folk on Sandinista. Mick Jones was really into the New York hip hop scene but they were all very open minded musically. Slated by some of the London music press as a disco sell out at the time, history will have recorded who was right. This song to me captures the best of them, funky, dubby, punk rawness and fun.

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Modern Romance, secret funkateers!

The Clash – This is Radio Clash

The Clash with Rankin Roger – Rock the Casbah

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Joe Strummer and Rankin Roger 

Summary of some great sounds!

The dub dance sounds spread across many genres in the early 80’s, though especially in the underground disco and garage scenes.

The music carried on throughout the 80’s though reducing as the years went on. Larry Levan’s second band Man Friday produced the dub disco classic “Love money, Love Heartache” in 1986, a time when commercial funk or soul had become often very overproduced and commercial sounding.

Mick Jones from The Clash’s new band Big Audio Dynamite mixed dance, rock and dub and later on bands like The Orb, Eat Static, Happy Mondays, Future Sound of London and Primal Scream on their Screamadelica album all added the dub to the dancefloor.

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The Orb live with Steve Hillage from Gong

Francis Field 2019
From his talk at Jubilee Library Music Club, 12th April 2019

 

Don’t want to miss the next music club talk? Here are the upcoming dates!
It’s 4pm-4:45pm on a Friday, once a month.

music club poster 2019to NOVJPEG.jpg

 

 

 

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Space Rock and Free Festival Bands

Once a month at Jubilee Library, there’s a free music talk – everyone is welcome! Dan from Resident Records was kind enough to come in and give March’s talk and in case you missed it:

Space Rock and Free Festival Bands

My talk here today, is on topic that I am passionate about, but understand that it is from a personal perspective. So, there may be a few bands that I’ve missed or bits left out. I hope you enjoy it, all the same.

Anyone who knows me will know my love of Space Rock. But what is Space Rock I hear you ask?

According to Wikipedia, space rock is a music genre characterized by loose and lengthy song structures centred on instrumental textures that typically produce a hypnotic, otherworldly sound. But there is much more to it than just that. The bands that define the genre have a sense of community, spirituality, mysticism and links with the cosmos. Their music has the ability to take you away to far off lands and encounter the weird and the wonderful.

I guess it fits in between psychedelia, kraut rock and prog if I was going to categorize it. But I’m not going to. Let’s just say its great music.

Gong
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The first band I’m going to talk about, and one of my favourite bands of all time, is Gong. Led by musician, artist, activist and poet Daevid Allen (aka Bert Camembert, Dingo Virgin and many other aliases). They fused free form jazz with the avant garde, to create magic.

I think the first album I heard from Gong was Camembert Electrique. It has amazing artwork, beautifully drawn by Daevid Allen, depicting Pot Head Pixies and the Planet Gong. It also has a photo of the Gong line up, taken at their run down commune in France. Recorded during the full moons of 1971, it was and still is, an incredible album, which always manages to make me smile when I hear it. Here is my favourite track from that album – Fohat digs holes in space.

Such a great track! It has a real groove to it. This is space rock!

Hearing this album made me want to explore more. I sought out the trilogy of Flying Teapot, Angels Egg and You albums. Getting stoned and getting lost in these albums became a great way to spend my days. It was easy to get lost in those sounds.

Some of my favourite tracks from this era are, Selene, Oily Way, Flying Teapot, Zero the Hero and the witches spell, and Master builder. Such great tunes, and a pleasure for the ears.

The Gong sound developed over these albums. Their sound became more spacey, with the space whisper, electronics and glissando. Plus, you had the ongoing story of the Planet Gong, in both the artwork and lyrics. Talk of aliens and other worlds that catapult the listeners imagination into the stratosphere.

To some, they were a joke band, who clearly had smoked too much and taken too much acid. But to me and many others, they were from another planet, spreading their music, visions and love to anyone that would listen to them.

For me, the classic line-up of Daevid, Gilli Smyth, Steve Hillage, Tim Blake, Didier Malherbe, Mike Howlett and Pierre Moerlen, is when they were on fire.

Gong were pure magic live. They stole the show at the 1971 Glastonbury Festival. If you check out some of their early 70’s stuff on Youtube, make sure you watch them doing ‘I never glid before’ from 1973. Such great musicianship. Great stuff!

Daevid left Gong in 1975, after he said that he was being prevented from getting on stage by an invisible force field. Steve Hillage left to go solo, releasing many fine albums, including Fish Rising in 1975 and the album featured a lot of the Gong family. Tim Blake also left to do his own thing – The Crystal Machine. But, in the words of Daevid – ‘Gong, the sound that goes on forever’, the band continued, with many different line-ups, including Daevid returning to the Gong family. I saw Gong and Daevid play, including their 25th anniversary birthday party in 1994. And without doubt, I would have been stoned out of my tree. But I can still remember them still looking like they were having fun, doing what they love, and blowing the crowds minds.

Daevid left this planet in 2015, and I remember my girlfriend telling me. I felt sad off course, but also thankful for the joy that he had bought into my life and many others. He penned a song called ‘Now is the happiest time of your life’, and I think he firmly believed that sentiment and showed the world the kind of person he was.

Up next we have the mighty Hawkwind. Are there any Hawkwind fans here today?

Greetings Hawkfriendz.

The band that put the Space in Space Rock. Formed in the Ladbroke Grove / Notting Hill Gate area of London by Dave Brock in 1969. They were known as the people’s band, because they often played for free, did benefit gigs for worthy causes, and were instrumental in the Free Festival scene.

Hawkwind
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was introduced to Hawkwind with their 1971 album ‘In search of space’. It is an astonishing album, and to this day, my favourite Hawkwind studio album. From the opening bass line of ‘Master of the Universe’, I was truly hooked.

The original fold-out sleeve of ‘In search of space’ was designed by long-term collaborator, graphic artist Barney Bubbles. And initial copies of the album came with a log book of science fiction writings by Robert Calvert. The words, the art and the music combined to create a space rock masterpiece.

Here is a taster from the album – ‘You know you’re only dreaming’.

Hawkwind, like Gong, had constant personnel changes and ever-changing line-up, except for the constant – Dave Brock, who sang, played guitar and wrote most of the songs. Other notable members from the classic line up are Nik Turner on sax and flute, who added the mysticism, Dik Mik and Del Dettmar took care of the synthesisers and strange noises and Simon King on drum duties. Terry Ollis played drums on ‘In search of Space’ but loved his pharmaceuticals way too much, became a liability and was replaced. And lest we forget a certain Lemmy Kilminster on bass, who gave Hawkwind their edge, got booted out for being a speed freak, and then formed Motorhead. Rest in peace.

Nik Turner & Tim Blake
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As most Hawkwind fans would agree, their golden era was 1971 – 1975, with their studio records – In search of space, Doremi Fasol Latido, Hall of the mountain grill and Warrior on the edge of time. During this time Hawkwind released one of the greatest live albums of all time – Space Ritual. It captured the band in full swing, and showed any critics that they could really play.

I’ve always wished that I could have seen them in their heyday. The sonic attack of their music with the Liquid Len lightshow and Stacia dancing around the stage – what a trip that would have been. They all looked cool, played cosmic music, lived in squats or on the road, and did loads of drugs – they were my heroes.

Hawkwind were part of the Underground scene. They believed that music, as well as people, should be free. This ideal prompted them to play outside of the 1970 Isle of Wight festival with the Pink Fairies. Although the entry ticket to the festival was only £3.00, a lot of the underground preferred to pitch up their tents outside the gates, in the alternative festival with ‘Pinkwind’ (Hawkwind and the Pink Fairies) playing all day and all night. For 5 days straight they played.

Hawkwind became the main attraction at a lot of the free festivals around the country, especially at Stonehenge. A lot of the people involved in the underground were involved in the squat scene and with the travellers. Hawkwind and the people who went to the festivals were kindred spirits, who had the same outlook on life. The music that Hawkwind played connected to certain people, and had wonderous effects. They played the free festivals from 1970 to the late 80’s, and will always be in the hearts and minds of the travelling community. And in the true spirit of Hawkwind, they appeared on a 1988 compilation album to raise funds for the Travellers Aid Trust. Much needed, for it was a time when the travellers needed all the help they could get.

Hawkwind soared through the early seventies, developing their sound, and going further into space with the help of science fiction author Michael Moorcock. The music got heavier, the amazing artwork more out of this world.

Hawkwind continue to fly, and probably will always do so. Dave Brock is still ever present at the helm. They celebrate their 50th birthday this year and are out on the road to celebrate.

Next up is Here & Now. Another firm favourite on the free festival scene. I got into them through their album with Daevid Allen under the name ‘Planet Gong’ from 1977. A bit heavier than the Gong sound, but still space rock.

My favourite album by Here & Now is a split album they did with Alternative TV called ‘What you see is what you are’ from 1978. Here is them live from that album.

Here & Now played many of the Free Festivals, starting with Watchfield in 1975. They also provided the PA, staging and lighting for the Stonehenge free festival for many years. It cost them a lot of money and effort, but that festival was a creature very close to their collective free-floating-anarchic hearts, and ensured them a likewise warm place in the hearts of everyone who took part in those mystical,

magical events.

Here & Now
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I saw Here & Now play many times in the 90’s, including a reformed Planet Gong line-up with Daevid Allen (or Dingbat Alien as he called himself then). I remember one particular gig at the Dome in Tufnell Park where they were totally on fire.

No talk on space rock would be complete without the Ozric Tentacles. They formed at the Stonehenge free festival in 1983, and continue to this day. They fused many different styles of music, but space rock was the driving force behind their early sound.

I first came across the Ozrics at a dingy pub called the George Robey in Finsbury Park, London. The Club Dog crew would transform the pub into a mini festival, with music, decoration and psychedelic light shows by Fruit Salad. This place was amazing and I still have great memories from those nights. I remember seeing some cassettes on a table and one of them was ‘Live ethereal cereal’ by the Ozric Tentacles. Here is the opening track, Erpriff.

Sorry about the quality of the track, but you get the idea.

The Ozrics adopted the DIY ethic of releasing their own music on cassette, as did many bands at the time.

I have some hazy memories of seeing the Ozrics live. I caught them at the Strawberry Fair free festival in Cambridge, but was too wasted to remember many more of the details, except that I had a great time. I do remember more about seeing them at the Kilburn National in London. It was 1992. The support came from Eat Static, an offshoot from the Ozrics, who created dance music for the crusties. It was such an exciting time, and I was part of it – illegal raves, squat parties and festivals were the place to be for me and my friends.

The Ozrics had an abundance of creativity, and channelled it through their many offshoot bands, including Eat Static, Nodens Ictus and the Oroonies.

Here is a track from the Oroonies. Again, it’s from a cassette so not the best quality.

The free festival movement started in the late 1960’s. Most people would have heard of the summer solstice festivals held at Stonehenge. The festival at the stones started in 1974 and was the brainchild of Wally Hope. It started as a relatively small affair, but it grew with each year, and by the early 80’s it was attracting thousands of like-minded individuals. In 1984, the crowds were estimated at 30,000 people.

Stonehenge 70’s
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Another festival of note was at Windsor, in the Queens back garden! Although the festival ran successfully for several years, there was trouble with the police which forced the festival to move to a new location, and the Watchfield festival was born.

The free festival movement continued to grow, and allowed people to spend their summers on the road, going from festival to festival. People could earn a living by selling stuff at the festivals, and not just drugs! It enabled the city folk to get out into the countryside, listen to some great music, see friends and make new ones too.

The motto of the festivals was – ‘bring what you expect to find’, which says it all really.

Does anyone have some memories of going to a free festival that they would like to share?

I remember picking up a flyer in the early 90’s. It had a list of the different festivals happening over the summer, all across England and Wales. They had great names like Torpedo Town, White Goddess, Treworgy Tree and Happy Daze. I had visions of getting my driving licence, buying a vehicle, and hitting the road. That never happened, but we did manage to get to a few festivals, including Happy Daze in Wales in ‘91.

Heading for Stonehenge 1985
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There are so many bands that became part of the free festival movement. And they weren’t all just playing space rock. Key bands include Culture Shock, RDF, Rhythmites, Hippy Slags, Cardiacs, Back to the Planet, Citizen Fish, Mandragora, The Magic Mushroom Band and many more. All genres, from ambient to punk to reggae. These bands weren’t in it to become famous and to make millions. They did it to put smiles on the faces of the people who came to watch, and to tell people about the injustices of the world, to those who’d listen.

One of my favourite free festival bands are Culture Shock. A blend of punk and ska, with some of the most thought-provoking lyrics around. They sang about social problems, inequality, government and politics and many other important issues. They wrote a track about Stonehenge and the plight of the travellers, with all proceeds going to helping people get to the stones for solstice and equinox. Released as a backlash to the horrific police brutality experienced by the travellers at Stonehenge in 1985, otherwise known as the battle of the Beanfield, it also highlighted the importance of the solstice and Stonehenge, as a means for celebration.

Beanfield
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Here is a track from Culture Shock’s first album; Messed Up.

The authorities sought to wipe out the travellers and their alternative lifestyle that day. But as the slogan goes; you can’t kill the spirit!

The illegal sound systems like Spiral Tribe and Bedlam introduced a new sound to the free festivals in the early 90’s. New age travellers and ravers – side by side. Me and some friends went to many of the illegal parties in the early 90’s, but that is another talk altogether.

This new lease of life enabled festivals to go ahead, culminating in the Castlemorton festival in 1992. The media estimated 40,000 people attended. This lead the government to pass the Criminal Justice and Public Order Act in 1994, which gave the police and authorities more powers to stop such events from taking place and also the council’s duty to provide permanent sites for travellers would be repealed, police would have new powers of unsupervised stop and search, and the criminalisation of “disruptive trespass” would have far-reaching consequences for squatters, travellers and protesters alike. Me and my friends joined the fight against the bill, with 50,000 other protestors we marched through central London to show the politicians what we thought of their bill. But to no avail and the bill was passed anyway and the party was over.

Castlemorton 1992
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The free festival movement had died. The travellers dispersed, most being forced to leave the life on the road behind them. The sound systems went to Europe and started the Teknivals. It must seem like an alien concept to the youth of today that they could attend a festival for free, which is organised by the people, for the people. Instead they have to pay a fortune to attend festivals that are so corporate, where the organisers are more interested in profit than people.

Urban Free Festival
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But the spirit lives on in the hearts, minds and stories of the people who were there, and the legacy of the music that is still enjoyed to this day and hopefully in the future. The space rock sound continues to influence many bands, including Spacemen 3 and later Spiritualized.

Here is a track from their 1997 masterpiece – Ladies and gentlemen we are floating in space. No god, only religion.

This is space rock – Do not panic.

Thank you for listening Magic Brothers & Mystic Sisters and I hope you enjoyed the talk.

 

By Dan Robertson
From his talk at Jubilee Library Music Club, 1st March 2019

 

Don’t want to miss the next music club talk? Here are the upcoming dates!
It’s 4pm-4:45pm on a Friday, once a month.
2019 MUSIC

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Angels in Our City

On Saturday 3rd November, the awards ceremony for the Angels in Our City competition took place in Jubilee Library. The competition to create an angel, either an image or a piece of writing, to represent Brighton & Hove in all its diversity was run by the Interfaith Connect Group. There were four different age categories with four prize winners and runners up, and additional entries were highly commended. Friends and family gathered in Jubilee Library to see the prizes and certificates awarded by the Mayor of Brighton & Hove, Cllr Dee Simson. Tea and cake were consumed and everyone had a great time.
angel blog.JPGThe Winners
Everyone admired the winning entries, which are displayed in the foyer of the library for a week. There is also a fascinating complementary exhibition of angel images, Angels: the devotional and the decorative, taken from the library’s special collections, on display in the Tony Miller Rare Books Room on the upper floor.

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